描述：清代杂剧作家深化了明中后期杂剧作家个人化的观照方式,他们以自我为中心,融己身入剧,注重主体情感与个体趣味,使个人化特色表现在戏曲活动的各个方面.这一个人化倾向有其产生的独特原因,它在推进清杂剧案头消亡的同时,亦促成了文人杂剧的最终完成.Writers of zaju in Qing Dynasty advance the individualized tendency of those in mid and later Ming Dynasty. They are centered on themselves and get immersed in zaju. They pay attention to subjective emotion and individual taste, resulting in the embodiment of individual characteristics in all aspects of zaju. There are peculiar reasons for this tendency, and zaju advances the eradication of closet play of Qing Dynasty and promotes the accomplishment of zaju written by scholars.