2016年会议收到论文

目   录

（按收稿时间顺序排列）

1、“情丝”与“茧翁”——乡贤汤显祖晚年文化心态探识

·······························周华斌

2、何以“足解千古之疑”汤显祖答策《第三问》译读与略考

·······························刘昌衍

3、《邯郸记》的剧情结构与思想表达

·······························许建中

4、《邯郸记·仙圆》曲谱杂论

·······························胡淳艳

5、《牡丹亭》的创作格律、演唱声腔及其他

·······························伏涤修

6、梦魂惯得无拘检——论《牡丹亭》的梦魂情节

·······························仝婉澄

7、「拗折天下人嗓子」評議

8、《牡丹亭》主题“以情反理说”献疑

·······························陈志勇

9、白先勇青春版《牡丹亭》斟議（會議論文初稿請勿引用）

·······························王顗瑞

10、白先勇与《牡丹亭》

·······························龚  刚

11、《納書楹牡丹亭全譜》改調《牡丹亭》之方法初探

·······························陳翔羚

12、从《劝农》看汤显祖的礼治思想

·······························马舒婕

13、从汤显祖与抚州正觉寺等的交往看儒禅相融

·······························万斌生

14、凡文以意趣神色为主——再谈“汤沈之争”的戏曲史意义

·······························黄仕忠

15、汤显祖《南柯记》人文精神分析·

·······························张福海

16、“四梦”改编得失举隅

·······························黄文锡

17、《牡丹亭》艺术思辩抉微·

·······························张来芳

18、简论汤显祖的文学评点

·······························孙琴安

19、《李泌传》与《邯郸记》——管窥汤显祖的历史意识与时代感受的交互关系

·······························董上德

20、论《牡丹亭》“雅俗并陈”的曲词风格及其戏曲史意义

·······························李亦辉

21、汤显祖研究的重要文献——项应祥《尊经阁记》、《段公祠记》考

·······························刘世杰

22、论汤显祖传奇落场集唐诗与明清曲家的戏剧观

·······························刘叙武

23、论《牡丹亭》和《罗密欧与朱丽叶》母题性质的异同性

·······························吴　双

24、论达观与汤显祖的“情理之辨”

·······························庞婧绮

25、论李贽对汤显祖的影响

·······························邹自振

26、從《勸善記》到《牡丹亭》──晚明思潮與戲曲出口

·······························羅麗容

27、《牡丹亭》春香传奇

·······························黄振林

28、《牡丹亭》开启中国戏剧舞台新的纪元

·······························龚国光

29、清代中晚期擅演“临川四梦”的演员们

·······························刘　庆

30、全本戏复原：莎士比亚与汤显祖的对话

·······························谢雍君

31、纪念汤显祖、莎士比亚逝世四百周年——以我们的文化自信，讲好经典的中国故事

·······························李伟民  胡　蓓

32、素描汤显祖剧作在马来亚时期

·······························沈国明

33、试论《牡丹亭》的逆向思维手法

·······························赵　勤

34、汤显祖“二梦”梦境的特色与其意蕴

·······························赵得昌

35、汤显祖澳门之行的意义

·······························李伟昉

36、汤显祖贬谪徐闻到底与《牡丹亭》创作有多大关系

·······························金　虎

37、汤显祖到过海南岛吗——与龚重谟等先生商榷

·······························钟大生

38、汤显祖的人生实践与精神追求

·······························许怀林

39、汤显祖的戏曲理论

·······························俞为民

40、试论汤显祖《牡丹亭》对昆剧音乐的贡献

·······························周雅文

41、汤显祖的追梦人生

·······························杨安邦

42、汤显祖对当代戏曲创作的启示

·······························李　伟

43、汤显祖负笈从姑山略考

·······························罗伽禄

44、试论汤显祖的戏曲身份认同

·······························骆　兵

45、谭纶和汤显祖在宜黄腔发展中所起的作用

·······························朱建宜

46、《汤显祖集全编》“诗文续补遗”所收《水田陈氏大成宗谱序》辨伪

·······························周明初

47、接受美学视野下白之的《牡丹亭》翻译研究

·······························宋玲玲　陈　勇

48、汤显祖四篇涉徐闻诗文考略

·······························钟大生

49、汤显祖佚文《晋孝子参里黄先生祠记》考

·······························徐永明

50、汤显祖与徐闻教育

·······························金　虎

51、汤学二题

·······························顾聆森

52、晚明之临川曲派初探

·······························高文彥

53、中国戏剧“曲的历程”之颠峰

·······························元鹏飞

54、戏剧政治家汤显祖

·······························龚重谟

55、汤显祖贬谪徐闻行程初探

·······························邱苑丹

56、杨宪益、戴乃迭英译《牡丹亭》研究

·······························赵征军

57、遗民心绪与道德重构——论陈轼与《后牡丹亭》

·······························朱夏君

58、由“临川四梦”谈经典文化继承及传播途径

·······························熊洪伟

59、玉茗堂四梦文本考

·······························汪天成  金　雯  蒋瑜娟

60、越调吴歈可并论，汤词端合唱宜黄——清初南昌李明睿沧浪亭观剧活动一瞥

·······························苏子裕

61、关于《汤显祖戏剧全集》的英译

·······························张　玲

62、张坚《玉燕堂四种曲》对汤显祖「主情说」之继承与开拓

·······························陈新瑜

63、浅析汤显祖《邯郸梦记》的语言艺术

·······························郑艳玲

64、中国的悲剧、喜剧和悲喜剧——从汤显祖和莎士比亚的剧作谈起 

·······························安  葵

65、重论汤显祖作《华盖山志序》的可能性

·······························黄建荣

66、汤显祖与莎士比亚，我们今天应该如何比较？——从网上传播的离奇错误观点谈起

·······························周锡山

67、依《南柯记·禅请》文本语言特点初探汤显祖与禅宗思想关系——兼与曹洞宗思想关系探微

·······························李　旭　王汉定

68、从“临川四梦”到《临川梦》——汤显祖与蒋士铨的精神映照和戏曲追求

·······························杜桂萍

69、试析《六十种曲》收录《紫箫记》的原因——兼谈毛晋的编选原则与戏剧思想

·······························刘建欣

70、“临川四梦”人物塑造的空间表征法

·······························王　琦

71、明末清初的“《牡丹亭》热”——纪念汤显祖逝世四百周年

·······························王永健

72、新世纪的传播与诠释——上昆“临川四梦”演出及汤显祖剧作的戏剧史意义

·······························刘  祯

73、真色人难描——《牡丹亭.写真》舞台演出史考略

·······························刘　轩

74、清代昆曲工尺谱中的《牡丹亭》

·······························鲍开恺

75、爱好是天然 雅志在山川——论汤显祖的山水诗创作

·······························高  琦

76、以情感动机维度模型理论重新审视《牡丹亭》

·······························马　慧  何辉斌

77、重要的在于探索未知——有关汤显祖研究中几个值得思考与探索的问题

·······························顾侠强

78、汤显祖与南丰戏曲

·······························胡长灿

79、汤显祖研究资料的新发现

·······························江巨荣

80、汤显祖文艺思想散议——写在纪念汤显祖逝世400周年之际

·······························裴满意

81、传奇《西楼记》与《牡丹亭》之比较

·······························王永恩

82、玉茗千秋绝妙词  试翻古调作新声——石凌鹤《还魂记》改译本平议

·······························刘文峰  王子文

83、俞平伯《<牡丹亭>赞》探析

·······························陈　均

84、海外戏剧教育理念方法在中国戏曲传承传播中的应用——以汤显祖、莎士比亚剧作为研究中心

·······························徐燕琳 & George Belliveau

85、汤显祖与莎士比亚的历史性会晤

·······························黎 羌

86、汤显祖“临川四梦” 中的民族文化理念纵论

·······························黎  羌  宋华燕

87、从《汤显祖集》到《汤显祖集全编》——五十余年出版历程考述

·······························刘　赛

88、南戏的戏剧结构

·······························欧阳江琳

89、梅兰芳搬演、论析汤显祖《牡丹亭》补述

·······························谷曙光

90、探索人類集體潛意識的幽微慾望——從《戀戀南柯》到《南柯夢》

·······························沈惠如

91、汤显祖“句字转声”与沈璟“合律依腔” 辨析

·······························顾闻钟

92、湯顯祖「閒」的美學

·······························司徒秀英

93、从现代审美视角看《牡丹亭》“得意处”

·······························吴凤雏

94、试探《庙记》中的戏剧传播思想

·······························王省民

95、新见明刊朱墨套印本《南柯记》述评

·······························华　玮

96、论《牡丹亭》故事原型

·······························欧阳雄飞

97、从《牡丹亭》看晚明士子的矛盾心态

·······························小兰

98、汤显祖《广昌哭王守备庙》之谜——汤翁与广昌之四

·······························姚澄清

99、万历戊子顺天乡试案对汤显祖、沈璟戏曲创作的影响——以《牡丹亭》《坠钗记》为例

·······························卢晶晶

100、“戏上也有好文章”——略论《牡丹亭》文本阅读与接受的特点及意义

·······························朱伟明

101、汤显祖及“四梦”综论

·······························李成君

102、“临川四梦”说的来由与《牡丹亭》的深层意蕴

·······························康保成

103、汤显祖与王孙交游之历史光影

·······························姚品文

104、被误读的汤显祖

·······························戚世隽

105、汤显祖与宁献王朱权后裔交游的文化意义

·······························姚品文

106、论《邯郸记》中的时尚小曲

·······························尹　蓉

107、汤显祖与张居正

·······························周育德

108、越剧视阈中的《牡丹亭》——越剧改编《牡丹亭》小史•刍议

·······························郭　梅

109、《贵生说》的行政管理价值转向——兼论晚明文化思潮

·······························党红梅

110、读明清汤显祖传

·······························叶长海

111、以“至情”匡扶“世情”——试析汤显祖“至情”思想之哲学内蕴与晚明文化思潮的关系

·······························汪若如

112、《牡丹亭》英译中外译者文化风格研究

·······························曹迎春

113、“玉茗堂词”选本与明代曲家词

·······························谢　燕

114、《牡丹亭》的读法 :“发乎情, 止乎礼义”

·······························鄭元祉　劉　禹

115、汤显祖《牡丹亭》东传朝鲜王朝考述

·······························程芸

116、辑汤显祖集外佚诗二首

·······························杜华平

117、介于游戏与现实的《牡丹亭》

·······························李昌淑

118、《玉茗堂四夢》鈔本曲譜初探──收錄齣目及音樂舉隅·

·······························林佳仪

119、《紫蕭記》與晚明戲曲文化的轉變

·······························譚美玲

120、梅兰芳与汤显祖的灵魂对话《牡丹亭》

·······························闻慧莲

121、汤显祖至情论是陆九渊心学重情论的逻辑发展

·······························吴牧山

122、汤显祖《临川四梦》及其文化传播意义

·······························谢柏梁

123、文学史书写与《牡丹亭》的经典化

·······························朱万曙  秦军荣

124、中国戏神的崇高使命：娱人•祈丰•求子•驱疫——从汤显祖《宜黄县戏神清源祖师庙记》谈

·······························曾志巩

125、孔子学院作为昆曲海外传播平台的思考——以英国北爱尔兰孔子学院昆曲教学为例

·······························刘至宏

126、“汤”“莎”比较在中国：历史与路向

·······························刘文辉

2016年会议上交的论文目录

（未在会议论文集中）

1、“还魂记型”戏曲考略

·······························李连生（福建师范大学文学院）

2、论汤显祖戏曲文体选择与其诗学取向的相互影响——以《牡丹亭》为中心

·······························袁茹（苏州科技大学）

3、兴自“莎士比亚-汤显祖逝世四百年纪念”；兴自成语“南柯一梦”——从《南柯记》到《梦南柯》

·······························李如茹（Adam  Strickson, Steve  A nsell）

4、戏曲立场、抒情传统与互文重构：清中叶玉茗堂派曲家张坚戏曲实践中的汤显祖影响

·······························张惠思（马来亚大学中文系高级讲师）

2017年第二届“文化传承和创新国际论坛”论文目录

2019年会议论文目录

(论文按收文先后排序)

1、慕色／憐才：明清性別視野中的《牡丹亭》                ……………………华玮

2、汤显祖嘉隆时期应试制艺研究                          ……………………胡梓颖

3、西方“后设戏剧”与汤显祖的“二梦”                  ……………………章雪晴

4、汤显祖潘之恒交游考辨三题                            ……………………李颖瑜

5、汤显祖、紫柏真可与《楞严经》                        ……………………陈亮亮

6、汤显祖与莎士比亚比较                                ……………………辜正坤

7、莎士比亚的《麦克白》与昆曲《血手记》                ……………………李伟民

8、昆曲校园教育与活态传承的新实践——校园传承版《牡丹亭》的实践与意义……陈均

9、《牡丹亭》与《欧也妮·葛朗台》花园描写比较研究       ……………………周锡山

10、论汤显祖对《紫钗记》中李益的情怀投射——兼具排演此剧的思考   …………郭宇

11、汤显祖《南柯记》中弥散的现代主义戏剧精神张福海

12、论曹禺与汤显祖剧作的场面开掘艺                     ……………………曹树钧

13、《牡丹亭》的原创圣地在何处？                        ……………………龚重谟

14、汤显祖戏剧对前代文学的继承与革新                   ……………………邹自振

15、汤显祖与鲁点                                       ……………………邱苑丹

16、汤学—“走向世界的汤显祖”研究的基石与理论指南     ……………………顾侠强

17、试探汤显祖<牡丹亭>与徐闻关系                       ……………………钟大生

18、汤显祖剧作对历史人事的缀入牵引                     ……………………伏涤修

19、汤显祖从子维岳考                                   ……………………刘世杰

20、《邯郸记》与《达尔杜弗》之比较              ……………………郑艳玲、李艺璇

21、简析汤显祖的《重酬谭尚书》                 ……………………张洪晋、韩京岑

22、乌托邦与异托邦：释梦“临川四梦”                   ……………………王艺珍

23、论汤显祖情理观与程朱理学情理观的差别               ……………………王楚馨

24、论 “游”与“主体间性”在《游园惊梦》中的审美体现  ……………………王婷婷

25、“梦”与“真”的互现：观杜丽娘生命存在的诗性情态   ……………………廖舒婷

26、简论汤显祖的“灵性”说                             ……………………王梦圆

27、精神分析视域下的汤显祖与《牡丹亭》                 ……………………魏惠娜

28、汤门弟子李太虚生平及其家庭戏班考                   ……………………苏子裕

29、汤公莎翁人生两极与殊途同归                         ……………………龚国光

30、汤显祖与庐山                                       ……………………萧德齐

31、《牡丹亭》听觉叙事初探                            ……………………欧阳江琳

32、《南柯记》古今传播述略                              ……………………黄建荣

33、满是悲痛情意的哀悼之作——读黄汝亨的《祭汤若士先生文》  ………………高琦

34、论五四新文人对戏曲的“接受”与“化用”——以郁达夫为考察对象   ……刘文辉

35、从《南柯记·树园》篇禅道语言运用看汤显祖的佛道思想   ……………………李旭

36、《牡丹亭》跨文化戏剧舞蹈的改编及海外传播            ……………………闻慧莲

37、《原谱考》：一篇了解临川文昌汤氏世系之源的重要文献    ……………………刘昌衍

38、汤显祖旧宅诗解读                                    ……………………杨华林

39、浅析汤显祖之性格命运                                ……………………龚顺荣

40、汤显祖家世探究                                      ……………………殷国锋

41、汤显祖创作〈牡丹亭〉之心路                          ……………………汤海贤

42、 略论汤显祖与宜黄的渊源（论文摘要）                 ……………………许爱珠

43、莫为浮云遮望眼——再谈汤显祖到过海南岛              ……………………龚重谟

44、汤显祖在徐闻任职时间究竟多久                       ……………………钟大生

45、亦有山水 谁则牙期——汤显祖与黄汝亨的相知相交        ……………………高琦

46、汤显祖与清官赵邦清的不解之缘                        ……………………杨华林

2020年收到论文题目